What Is Unique About Ancient Japanese Art and Architecture? Japanese Watercolor

Japanese fine art has a long and colorful history stretching back to some fourth dimension from the 10th millennium BC all the manner to the present day. Throughout the history of this region, diverse empires have invaded the country and left backside their influences on traditional Japanese fine art. Over fourth dimension, the Japanese artists chose elements of the invading cultures that fit into their preferred aesthetics, absorbing and assimilating concepts, techniques, and motifs from them, thus creating unique Japanese art styles from these strange influences.

Table of Contents

i Famous Japanese Artists and Their Artworks
- 1.1 Tenshō Shūbun (1414 – 1463)
- ane.two Sesshū Tōyō (1420 – 1506)
- 1.3 Hasegawa Tōhaku (1539 – 1610)
- 1.4 Kanō Eitoku (1543 – 1590)
- 1.5 Tawaraya Sōtatsu (1570 – 1643)
- one.half-dozen Ogata Kōrin (1658 – 1716)
- 1.vii Kitagawa Utamaro (1753 – 1806)
- i.8 Katsushika Hokusai (1760 – 1849)
- 1.9 Tomioka Tessai (1837 – 1924)
- 1.10 Takashi Murakami (1962 – Present)
2 Frequently Asked Questions
- 2.ane Does Japanese Art Differ From Other Eastern Cultures?
- 2.2 What Is Japan's Most Famous Painting?

Famous Japanese Artists and Their Artworks

Buddhism was a large component in the creation of complex fine art in the seventh and eighth centuries in Japan. Religious subject matter was common in ancient Japanese art, only Japanese artwork eventually extended to other subjects that reflected the daily life and surroundings of the local people.

Today, nosotros will look at ten famous Japanese artists and the Japanese paintings that brought them into the public spotlight.

Tenshō Shūbun (1414 – 1463)

Nationality	Japanese
Where Artist Lived	Kyoto, Nihon
Associated Movements	Muromachi Period
Famous Artworks	Reading in a Bamboo Grove (1446) Hue of the water, Light on the peaks (c. 15th century) Ox-herding Serial (c. 15th century)

Tenshō Shūbun was born in the Ōmi Province of Japan in the late 14th century. He afterwards moved to Kyoto, becoming managing director of the courtroom painting agency, an institution consisting of influential Japanese art patrons. Shūbun is considered by historians to be the father of Suiboku ink wash painting, a style that originated in China, but one which Shūbun helped incorporate into traditional Japanese art.

No. vi. Riding the Bull Domicile (c. 15th century) by Tenshō Shūbun. This is one of a series of 10 images, generally known in English as the Ox-herding (or Bull-herding) pictures, by the 15th century Japanese Rinzai Zen monk Shūbun. They are said to be copies of originals, now lost, traditionally attributed to Kakuan, a twelfth century Chinese Zen Master;Tenshō Shūbun, Public domain, via Wikimedia Eatables

After studying Chinese masters such as Ma Yuan and Xia Gui, Shūbun took elements of their work and created a style of ink wash painting, promoting it until it became the local style of that era. Shūbun then went on to become a tutor of Japanese painting for future masters like Kanō Masanobu and Sesshū Tōyō. Reading in a Bamboo Grove, painted in 1446, is considered Shūbun's most well-known painting, having received the honor as a Japanese national treasure.

Reading in a Bamboo Grove (1446)

Date Created	1446
Medium	Light Colour on Paper
Dimensions	134.eight cm 10 33.3 cm
Current Location	Tokyo National Museum

Reflective of earlier works by the Southern Song Chinese painters, this early case of aboriginal Japanese art depicts a mural and verse painted onto the surface of a scroll. It was owned past a Zen monk from a temple in Kyoto merely was said to exist created past Shūbun, another monk from a temple in Shôkoku-Ji.

Painting particular of Reading in a Bamboo Grove (1446) by Tenshō Shūbun. Total scroll: 134.8 x 33.iii cm; Tenshō Shūbun, Public domain, via Wikimedia Commons

Many Zen monks added a preface and extra poems to the scroll, making information technology hard to identify exactly who created this ancient Japanese artwork. However, it has been considered to be 1 of the only existing examples of Japanese drawings from that era that fit Shūbun'due south signature style.

As such, this painting has been passed downwardly the generations in the Myôchi-in Temple in Kyoto every bit a Shūbun original.

Sesshū Tōyō (1420 – 1506)

Nationality	Japanese
Where Creative person Lived	Bitchū, Japan
Associated Movements	Muromachi Flow
Famous Artworks	Landscapes of the Iv Seasons (1469) Sansui Chokan (Long Curl of Landscapes) (1486) Huike Offering His Arm to Bodhidharma (1496)

Sesshū Tōyō was one of the few traditional Japanese artists from the Muromachi period, which was highly respected not but in Japan but also in Communist china. This was due to the influence of the Chinese Song Dynasty artists on his work, which he and then infused with its own Japanese character. He was considered the biggest exponent of Japanese ink launder painting, which was founded by Tenshō Shūbun, his master who taught him Japanese art styles such every bit Sumi-e (ink wash painting).

Portrait of Sesshū Tōyō, c. 16th century;不詳 unknown, Public domain, via Wikimedia Eatables

Tōyō took the traditional manner of his chief Shūbun and gave it a singled-out Japanese grapheme through the use of flatter dimensional space, thicker lines, and greater dissimilarity betwixt shadow and light. Tōyō was considered by his peers too as historians to be the greatest painter in Japan, and his influence can still be seen in Japanese paintings upward to today.

Landscape of the Iv Seasons (1486)

Date Created	1486
Medium	Ink and Lite Colour on Paper
Dimensions	twoscore cm ten 15 chiliad scroll
Electric current Location	Mōri Museum, Yamaguchi, Japan

Considered the greatest instance of ink painting to come from Japan, Landscape of the Four Seasons is regarded by historians as Sesshū Tōyō's masterpiece. The 15-meter ringlet depicts the various seasons of the year, starting with jump and ending in winter.

The Chinese influence tin can be seen in both the way and theme of the composition, yet Tōyō brought a Japanese character to this artwork, setting information technology apart from the fine art of the Chinese Dynasty.

LEFT: Mural of the Four Seasons, Winter (15th century) by Sesshū Tōyō; Sesshū Tōyō, Public domain, via Wikimedia Commons | Right: Mural of the Four Seasons, Summertime (15th century) by Sesshū Tōyō;Sesshū Tōyō, Public domain, via Wikimedia Commons

Tōyō also painted other Japanese art styles and subject matter, such every bit Japanese drawings of Buddha and other Zen-influenced pictures. However, it is theLandscape of the Four Seasons that nearly defines the style that led to Tōyō being considered a master in traditional Japanese art.

LEFT: Landscape of the Iv Seasons, Fall(15th century) by Sesshū Tōyō; Sesshū Tōyō, Public domain, via Wikimedia Eatables| Correct: Mural of the Four Seasons, Spring(15th century) by Sesshū Tōyō;Sesshū Tōyō, Public domain, via Wikimedia Commons

Hasegawa Tōhaku (1539 – 1610)

Nationality	Japanese
Where Creative person Lived	Nanao, Nihon
Associated Movements	Hasegawa Schoolhouse
Famous Artworks	Maple (1593) Pine Copse and Flowering Plants (1593) Pine Trees (1595)

Hasegawa Tōhaku was built-in in 1539 in the town of Nanao, Nihon. He started his career as an artist by painting pictures of Buddha in his hometown and became successful enough to be a professional painter past his twenties. By his mid-30s, he had moved to Kyoto to study further at the highly respected Kanō school. Many of Tōhaku's early works are in the style taught by this school.

Afterward that, he began to develop his unique mode of Sumi-e painting, which was closer in style to his minimalist predecessors.

He was considered the fifth successor of the master Sesshū Tōyō and a master of the Azuchi-Momoyama, flow along with his rival, Kanō Eitoku. Tōhaku is respected throughout Japan for his incredible Japanese art, and many of his works are listed as national treasures in Japan.

Pine tree and flowering plants (1593) by Hasegawa Tōhaku;Hasegawa Tōhaku, Public domain, via Wikimedia Commons

Pino Trees (1595)

Appointment Created	1486
Medium	Pair of six-folded screens; ink on paper
Dimensions	156 cm 10 356 cm
Current Location	Tokyo National Museum

With this serial of six screens of exquisite Japanese drawings, Tōhaku managed to capture light and movement with simply ink equally his called medium, allowing him to give his pieces a feeling of infinite by applying three unlike layers of shading. With his unique manipulation of brushstrokes, he was able to create the impression of the painting receding as yous walked towards information technology.

In this painting, we can see how the rough awarding of his brushstrokes on the paper creates a sense of subtly emerging pino copse from the afar background.

Pine Trees(1486) past Hasegawa Tōhaku;Tokyo National Museum, Public domain, via Wikimedia Eatables

The viewer tin can experience the wind moving through the grove past the artist's utilize of specifically placed pine trees in the composition. Tōhaku wanted to create the impression of being drawn into the painting, and he achieved this by adding layers of shading to create the upshot of parts of the pino trees extending beyond the limits of the painting itself.

Kanō Eitoku (1543 – 1590)

Nationality	Japanese
Where Artist Lived	Kyoto, Nippon
Associated Movements	Momoyama Period
Famous Artworks	Painting of a Cypress (1590) Scenes in and around the capital (c. 1590) Birds and flowers of the 4 seasons (c. 1590)

Kanō Eitoku was born in 1543 in Kyoto, Japan, grandson of master Kanō Motonobu. Motonobu taught his grandson in a way that was greatly influenced by the Chinese movements. Forth with other members of his family, such as his father, Eitoku was renowned for his work in temples, where he installed beautifully painted ceiling and sliding door paintings as well as decorated standing screens.

Birds and flowers of the four seasons (16th century) by Kanō Eitoku, part of the paintings on room partitions in the abbot's quarters of Jukō-in of Daitoku-ji, Kyoto, Japan, ink on paper. This picture shows four of 16 panels on fusuma (sliding doors) in the ritual room;Kanō Eitoku (狩野永徳) and his father Kanō Shōei (狩野松栄), Public domain, via Wikimedia Commons

His biggest contribution to the Kanō school'southward selection of styles was his awe-inspiring style, otherwise known every bit Taiga, which is typically characterized by the employ of bold brushwork, figures that are unduly large for their backgrounds, and an emphasis placed on the foreground aspects. Eitoku was vastly pop in his fourth dimension and had many patrons who commissioned his work.

The most well-known of these pieces is the eight-console screen depicting a Cypress tree.

Painting of a Cypress Tree (1590)

Appointment Created	1590
Medium	Ink on Paper with Aureate Leaves
Dimensions	170 cm x 460 cm
Electric current Location	Tokyo National Museum, Tokyo

This folding screen painting consists of 8 panels, depicting a landscape with a Cypress tree in the foreground. Made from several panels joined together, these screens were used to divide sections of indoor spaces to provide some privacy in otherwise large areas.

However, Eitoku did not originally describe this on a folding screen simply painted it on a sliding door at beginning. The folding screen was and so used in an aristocratic residence that was built in 1590.

Eitoku painted the copse with the strength of the castor, giving the effect of overwhelming force, and the background was covered in gilt leaf. The overall contrast of the slice was achieved by these stiff lines as well equally by limiting how many colors were used in the composition.

Cypress Copse(16th century) past Kanō Eitoku;Kanō Eitoku, Public domain, via Wikimedia Commons

Tawaraya Sōtatsu (1570 – 1643)

Nationality	Japanese
Where Artist Lived	Kyoto, Japan
Associated Movements	Rinpa school
Famous Artworks	Waterfowl in the lotus pond (c. 1630) Wind God and Thunder God (c. 1630) Sekiya and Miotsukushi (1631)

Although the verbal date of Tawaraya Sōtatsu'due south altogether is unknown, information technology is estimated to exist around 1570. He is most known for his collaborations with Hon'ami Kōetsu, creating decorative and calligraphic works, as well as his amazing folding screens, many of which take become national treasures of Japan, includingWind God and Thunder God and Sekiya and Miotsukushi.

Current of air God Fujin (right) and Thunder God Raijin (left) by Tawaraya Sōtatsu, 17th century;俵屋宗達 (Tawaraya Sotatsu) (1570-1643), Public domain, via Wikimedia Commons

Sōtatsu was known every bit a Japanese furniture designer as well a Japanese artist of the Rinpa school, which was not a schoolhouse in traditional terms, but rather a collective of artists creating Japanese drawings and other artworks influenced by Kōetsu and Sōtatsu. He is likewise known for pioneering Tarashikomi, a technique in which one adds drib subsequently drop of color while the previous layer is still wet.

Sekiya and Miotsukushi (1631)

Date Created	1631
Medium	Ink, Color, and Gilt on Paper
Dimensions	152.six cm ten 355.half dozen cm
Electric current Location	Seikadō Bunko Art Museum

This beautiful work by Sōtatsu is considered a masterpiece by Japanese art historians. Depicting the artist's personal interpretation of the traditional Genji painting style, Sōtatsu adapts the Genji style of miniature Japanese drawings to a larger scale format while helping to transform the visual storytelling element of Genji illustration through the employ of simplified and clean geometry.

TOP: Chapter I of the Tale of Genji, Sekiya, and Miotsukushi (17th century) by Tawaraya Sōtatsu;Tawaraya Sōtatsu, Public domain, via Wikimedia Commons | Lesser: Chapter II of the Tale of Genji, Sekiya, and Miotsukushi (17th century) by Tawaraya Sōtatsu;Tawaraya Sōtatsu, Public domain, via Wikimedia Commons

This piece consists of two screens, each i representing a random meeting between Genji and his former lover. Each screen depicts gates that correspond travel, which is likely the principal reason that they were paired together. This painting is 1 of only two works by Sōtatsu that has been dated with whatever clear accurateness and is thus considered vital in understanding this artist's history, which nosotros still know little about.

Ogata Kōrin (1658 – 1716)

Nationality	Japanese
Where Artist Lived	Kyoto, Japan
Associated Movements	Rinpa school
Famous Artworks	Irises screen(1705) Chrysanthemums (1706) Red and White Plum Blossoms (1710)

Ogata Kōrin was built-in in 1658 into a wealthy family that dealt with the auction and design of textiles to the richer women of the city. His father introduced him to the various arts and he oft worked together with his brother, Kenzan. Not but did he paint in diverse Japanese art styles, just he also was a designer and lacquerer. Nonetheless, Kōrin is well-nigh well known for his busy folding screens.

Important Art Object Flowering Plants in Fall(18th century), attributed to Ogata Kōrin; Attributed to Ogata Kōrin, Public domain, via Wikimedia Eatables

Kōrin has besides been noted equally reviving the Rinpa school, which had been founded l years previously by masters Sōtatsu and Hon'ami Kōetsu. Kōrin disregarded the usual conventions and ethics of naturalism by creating his unique style, which was embodied by the utilise of simplified forms and an impressionist aesthetic.

He focused on using patterns of colour in an abstruse manner, and his work conveyed a sense of flat, one-dimensional decorative design.

Red and White Plum Blossoms (1710)

Engagement Created	1710
Medium	Colour on Silver and Gold Foliage on Paper
Dimensions	156 cm x 172 cm
Current Location	MOA Museum of Art, Atami

Cerise and White Plum Blossomsis one of the almost famous paintings in Japan, currently residing at the MOA Museum of Art in Atami, and is registered in Japan as a national treasure. This simple nevertheless beautifully stylized 2-panel folding screen depicts a flowing river patterned with swirling flat waves, with plum copse on either side. The presence of plum blossoms suggests to the viewer that the scene represents the spring period.

Scarlet and White Plum Blossoms (1710) by Ogata Kōrin; Ogata Kōrin, Public domain, via Wikimedia Eatables

This work is considered a neat example of the Rinpa school of painting, where Kōrin applied a technique chosen Tarashikomi to create the mottled await of the trees. This texture is created by playing a series of droplets on each other without the usual menstruation of drying usually practiced when painting. It is thought that, based on the dating of the paintings and other bear witness, this was most likely Ogata Kōrin'due south final painted slice before dying a few years after its creation.

Kitagawa Utamaro (1753 – 1806)

Nationality	Japanese
Where Artist Lived	Edo, Japan
Associated Movements	Ukiyo-e Flow
Famous Artworks	3 Beauties of the Present Solar day (1793) Needlework (1794) Women Playing in the Mirror (1797)

Kitagawa Utamaro was born in Edo in 1753. He is regarded equally i of the most famous Japanese artists regarding the Ukiyo-e mode of woodblock paintings and prints. He is besides well known for his Japanese drawings of beautifully large-headed women. Besides that, Utamaro was as well known to produce natural studies, in detail, a serial of illustrated books about insects.

Portrait of Utamaro, fatigued in 1931;井上和雄編渡辺版画店 1931, Public domain, via Wikimedia Eatables

Utamaro'southward artwork eventually reached the shores of Europe, where it was very well received. His accent on shadow and light and his application of partial views is said to have greatly influenced the European Impressionists.

When European artists refer to the "Japanese influence", they are usually referring to Utamaro'south piece of work in particular.

3 Beauties of the Present Day (1793)

Engagement Created	1793
Medium	Color Woodblock Impress
Dimensions	37.9 cm x 24.9 cm
Electric current Location	Museum of Fine Arts, Boston

This composition depicts three women in a triangular formation. The women were all celebrities at the fourth dimension and were regular subjects of the artist'due south work. Each female figure is adorned with wear bearing their family crests. Despite the highly stylized faces, one can still make out individual characteristics portrayed on each face, which differed from the usual generic-looking faces depicted in the works of the artists that preceded Utamaro.

3 Beauties of the Present 24-hour interval (c. 1793) past Kitagawa Utamaro;Kitagawa Utamaro, Public domain, via Wikimedia Commons

This course of art was very popular in the 17th to 19th centuries, with subject field matter focused on everyday people such every bit kabuki actors and courtesans likewise as those associated with the pleasure districts of Japanese culture. Near often, these kinds of prints were created to advertise the local areas of entertainment.

Today, this masterpiece is considered the all-time representative of Utamaro'southward earlier works.

Katsushika Hokusai (1760 – 1849)

Nationality	Japanese
Where Artist Lived	Edo, Nippon
Associated Movements	Ukiyo-eastward
Famous Artworks	The Corking Wave off Kanagawa (1829) Thirty-half dozen Views of Mt. Fuji (1830) A Tour of the Waterfalls of the Provinces (1832)

Katsushika Hokusai was born on the 31st of Oct, 1760. He was known for transforming a style that was largely focused on actors, courtesans, and beautiful women past broadening the discipline matter, introducing works that included plants, animals, and landscapes. Out of the bulk of Japanese artists, Hokusai is most likely the most internationally renowned, largely due to The Bang-up Wave off Kanagawa, which is considered the face of Japanese art globally.

A self-portrait of Katsushika Hokusai at the age of 83;Public Domain, Link

Hokusai was said to have used over 30 various aliases through which he created Japanese paintings and other styles, such as woodblock printing. His almost important contributions to Japanese artwork, however, were only painted in his later years subsequently he had turned 60. This includes his depiction of the holy mount throughout the seasons known as the Thirty-six Views of Mountain Fuji.

The Great Wave off Kanagawa (1829)

Date Created	1892
Medium	Woodblock print
Dimensions	25.7 cm ten 37.8 cm
Current Location	Metropolitan Museum of Art and others

The Great Wave off Kanagawa is known as the well-nigh recognizable Japanese painting in the world and is artist Hokusai's most well-known artwork. It was published around 1892 as the first print of the serial 30-Half dozen Views of Mount Fuji. The painting depicts a huge threatening wave that towers to a higher place three small fishing vessels in Sagami Bay, with Mount Fuji in the distant groundwork.

The size of the wave has led some to assume that the painting is depicting a tsunami, while others agree that it was more likely the representation of an enormous rogue wave.

Following a period of isolation from the due west, Japanese art styles were exported to Europe where they were quickly adopted, a term referred to as Japonism. This item slice was renowned for its bear upon on European art culture, with even Vincent van Gogh, a huge admirer of Hokusai'due south work, praising the quality of line in the Japanese drawing, stating that the visual had an impact that could be described equally "emotionally terrifying."

The Great Moving ridge off Kanagawa (1829) from 36 Views of Mount Fujiby Katsushika Hokusai. Although information technology is often used in seismic sea wave literature, there is no reason to suspect that Hokusai intended it to be interpreted in that way. The waves in this work are sometimes mistakenly referred to every bit tsunami, but they are more than accurately chosen okinami, being slap-up off-shore waves;Later on Katsushika Hokusai, Public domain, via Wikimedia Commons

Tomioka Tessai (1837 – 1924)

Nationality	Japanese
Where Artist Lived	Kyoto, Japan
Associated Movements	Nihonga movement
Famous Artworks	Abe-no-Nakamaro (1918) Encountering with Immortal Women (1919) Two Divinities Dancing (1924)

Born in 1837 as Tomioka Yūsuke, Tomioka Tessai is the pseudonym of this Japanese artist. He is known for existence the last practitioner of the Bunjinga Tradition, as well as a forefather of the Nihonga style. Born into a merchant family, his inability to hear led his family to encourage him to be a scholar instead of a merchant. He studied literature and philosophy.

Portrait of Tomioka Tessai, before 1923;Unknown writer Unknown author, Public domain, via Wikimedia Commons

After the decease of his father, Tessai moved to a Shinto shrine. Subsequently more than x years there, he began to report under numerous accomplished painters and presently developed his unique style. Western art was starting to exert its influence on the Eastern earth, and Tessai urged artists to return to a traditional style of painting, hence initiating the Nihonga motion.

Abe-no-Nakamaro Writing a Nostalgic Poem While Viewing the Moon (1918)

Date Created	1918
Medium	Color on Silk
Dimensions	52 cm ten 145.2 cm
Electric current Location	Adachi Museum of Art

This beautiful masterpiece was created by Tomioka Tessai in 1918. This silk canvas features a landscape of rural Nihon, brilliant cherry and green colour bringing life to the otherwise beige limerick. The painting depicts a tranquil scene in which a figure can be seen seated underneath ane of the pagodas.

The figure is that of Abe-no-Nakamaro, a poet and scholar of the Nara period. As the name of the painting suggests, he is engaged in the act of writing poetry, something for which he was highly revered, while watching the full moon rise over the afar hills.

Abe-no-Nakamaro Writing a Nostalgic Poem While Moon-viewing (1918) by Tomioka Tessai;Tomioka Tessai, Public domain, via Wikimedia Eatables

Takashi Murakami (1962 – Nowadays)

Nationality	Japanese
Where Creative person Lived	Itabashi Metropolis, Tokyo, Nihon
Associated Movements	Superflat, Contemporary art
Famous Artworks	Shine Nightmare (2000) My Lonesome Cowboy (1998) Tan Tan Bo (2014)

Takashi Murakami was born on the 1st of February 1962, making him the most contempo add-on to our list of famous Japanese artists. He is a gimmicky artist, and besides working with painting and sculpture, he as well works in animation, merchandise, and style.

He is known for coining the term "Superflat", a description that reflects the aesthetic style of modernistic Japanese civilisation in the mail service-war era.

This style points towards an underlying legacy of two-dimensional flat imagery that had permeated Japanese fine art and flick. Similar to the Pop art movement, "Superflat" sought to upcycle visual elements that were usually considered "depression-art" and repackage them in a fresh manner, elevating them to the level of "high-art".

Abstract "Superflat" image by artist Takashi Murakami at the London Galler;Tadeas Navratil, CC By-SA 4.0, via Wikimedia Commons

Smooth Nightmare (2000)

Appointment Created	2000
Medium	PC Print, Pen, Marker, and Tape
Dimensions	40 cm x 40 cm
Current Location	Prints bachelor to buy online

Takashi Murakami has been given the title of the Andy Warhol of Asia and is considered the near famous Japanese artist of the 21st Century. Shine Nightmare is representative of his "Superflat" aesthetic, using imagery that represents no visible depth of space.

The artwork depicts diverse objects that seem to be morphing between human-like figures and mushrooms. A central effigy of a mushroom with eyes takes up nearly of the canvas, with the background existence a flat grayscale shade.

Today, we have learned nearly 10 famous male artists in the history of Japanese art, from the early on Chinese-influenced styles of the 15th century through to today's ultramodern styles of the latest artists pushing boundaries with new techniques and mediums.

Take a expect at our Japanese painting webstory here!

Oftentimes Asked Questions

Does Japanese Art Differ From Other Eastern Cultures?

In curt, aye. Although at that place was much initial influence from the Chinese Vocal Dynasty, the early Japanese artists before long adapted the styles and techniques to better conform their own aesthetic, and it wasn't long before art began to rise out of the region that bore a distinctly Japanese character. After a period of isolation from the rest of the earth due to war, the Japanese art style would eventually get out the borders of Nippon and go on to influence the residue of the world, such equally Europe.

What Is Japan's About Famous Painting?

The Peachy Moving ridge off Kanagawa is undoubtedly the nearly well-known Japanese painting in the earth. Information technology was published around 1892 as the first print of the series Thirty-Six Views of Mount Fuji, created by the Japanese master Katsushika Hokusai.

mooreasibliver.blogspot.com

Source: https://artincontext.org/japanese-art/